ArchivesSpace at the University of Iowa

In this portfolio, the highly stylistic calligraphic musical scores that were drawn freely and eloquently beyond the usual staff lines, originated from a large, single calligraphic drawing by Melin. The theoretical texts about the music on the facing pages were written by Bosseur. -- Source of annotation: Marvin or Ruth Sackner.

The back cover drawing was done by Claude Melin. Each page reproduces a single conventional or experimental calligraphic piece based upon the title of this book. -- Source of annotation: Marvin or Ruth Sackner.

This sophisticated children's book combines a conventional poem in French, a translation in Arabic and a multi-colored calligraphic interpretation by Koraichi. The poems were selected by Waciny Laredj and the conventional Arabic calligraphy was done by Ghani Alani. The poems by Algerian poets date from 1168 to contemporary times. -- Source of annotation: Marvin or Ruth Sackner.

Diotallevi composed the drawing. -- Source of annotation: Marvin or Ruth Sackner.

Contains calligraphic arabic-like gestured markings by Reichart. -- Source of annotation: Marvin or Ruth Sackner.

The book contains 13 pages of a continuous, calligraphic drawing with the words superimposed upon abstract and calligraphic markings. This is followed by eight pages explaining the significance of the drawing. The book concludes with a discussion of the title of the book set in a conventional poetic verse. -- Source of annotation: Marvin or Ruth Sackner.

The book contains 13 pages of a continuous, calligraphic drawing with the words superimposed upon abstract and calligraphic markings. This is followed by eight pages explaining the significance of the drawing. The book concludes with a discussion of the title of the book set in conventional poetic verse. -- Source of annotation: Marvin or Ruth Sackner.

The inscription might be to Grace Butcher, a poet in da levy's circle. The cover drawing was done by Grady Jones and the introductory essay by John Cornillion. The first poem, entitled "Peaces" is a loose listing of permutations of its title, e.g., peA ces, peces pe Aces, Pea c ess, PEA cess, peees ssess, etc. The ink drawing depicts a large calligraphic marking; three other markings, reproduced in mimeographed printing, are scattered throughout this book. -- Source of annotation: Marvin or Ruth Sackner.

The 126 hard cover copies of the book were signed by Quasha; the 1000 soft cover copies, one of which is also held by the Sackner Archive, were not. -- Source of annotation: Marvin or Ruth Sackner.

The calligraphic markings on five pages were done by Cornelis Vleeskins. -- Source of annotation: Marvin or Ruth Sackner.

Several poems are illustrated with calligraphic drawings by Colleen Tesanovich. The calligraphic style is reminiscent of drawings by Judith Copithorne. -- Source of annotation: Marvin or Ruth Sackner.

This book includes 13 printed calligraphic drawings by Boute and two by Hubaut; one of Hubaut;s drawing is an original. -- Source of annotation: Marvin or Ruth Sackner.